³þTimes New Roman"ÿTimes New Roman>ÿTimes New RomanYÿTimes New Roman‘ÿTimes New RomanYÿFronimo Recercare>ÿTimes New Roman  FFÈÈ‚2n -#-cCapirola Lute Book (ca. 1517), f.27v. Encoded and edited by Sarge Gerbode. 6th course tuned to F.2 ÿÿCPiece ÿÿ‡{\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0 MS Shell Dlg;}} \viewkind4\uc1\pard\f0\fs-22 17. Pavane\par } Ž{\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0 MS Shell Dlg;}} \viewkind4\uc1\pard\f0\fs-22 Vincenzo Capirola\par } ÿÆType: # Comma separated list of types, e.g. dance, pavane, lament Difficulty: # beginner,easy,medium,hard,difficult,virtuoso,killer, or 0 to 5 scale. Key: # Am for A minor, BbM for Bb major, C#m for C sharp minor, etc. Piece: # Overall piece this is a part of Section: # Name of section of that piece Part: # Like Violin 1, Cello, Lute 1, Voice and lute, etc. Ensemble: # All the parts together for this piece. Publisher: # E.g., Phalese. It could be a library for a MS. Arranger: Realizer: Transposer: # These all go in the database as "Arranger" but can be specified here. Encoder: # Who entered the data in a computer, typesetter Intabulator: # Who created tab from a mensural source. # The following are only to update the composer name database Nationality of composer: Last, First of composer: Original composer: Na0 Nationality of original composer: La0 Last, First of original composer: --- General comments go below this line  ¡ÿÿCBar´01mÐä¿€?€?€ÿ30amÐä¿€?€?€ÿ3013mÐä¿€?€?€?€ÿ00amÐä¿€?€?€ÿ0013mÐä¿€?€?€?€?€ÿ0a30mÐä¿€?€?€ÿ1a00mÐä¿€?€?€ÿ2\2000mÐä¿€?€? ó€ÿ2^2001mÐä¿€?€?€?€ÿ3N0amÐä¿€?€?`Ornament here is ' " '.on the "d", placed to the side for legibility. Same in bars 42, 98, 106.øÿQÿ€ÿ3013zjá¿€?€?€?€ÿ0a30zjá¿€?€?€ÿa020zjá¿€?€?€?€?€ÿ2^20300zjá¿€?€?ä ü€ÿ€2032zjá¿€?€?€?€ÿ330azjá¿€?€?€ÿ33023zjá¿€?€?€?€ÿ500azjá¿€?€?€ÿ50053zjá¿€?€?€?€ÿ2^00azjá¿€?€?€ÿ20002š|Ù¿€?€?€?€ÿ302020š|Ù¿€?€?€ÿ€3022š|Ù¿€?€?€ÿ€02302š|Ù¿€?€?€ÿ023023š|Ù¿€?€?€?€ÿ500aš|Ù¿€?€?€ÿ50053š|Ù¿€?€?€?€ÿ2^005aš|Ù¿€?€?é ú€ÿ€30203š|Ù¿€?€?€?€?€ÿ00230š|Ù¿€?€?€?€?€ÿ0203Rœë¿€?€?€ÿ330aRœë¿€?€?€ÿ33001Rœë¿€?€?€ÿ3a00Rœë¿€?€?€ÿ1Xa30Rœë¿€?€?€ÿ0a00Rœë¿€?€?€ÿa01Rœë¿€?€?€ÿ3a10Rœë¿€?€?€ÿa020Rœë¿€?€?€?€?€ÿ2^2000Rœë¿€?€?à €ÿ2^2001Rœë¿€?€?ãø€ÿ3a00vŒâ¿€?€?€ÿ1Na30vŒâ¿€?€?€ÿ0a30vŒâ¿€?€?€ÿa020vŒâ¿€?€?€?€?€ÿ2^20300vŒâ¿€?€?á €ÿ€2032vŒâ¿€?€?€?€ÿ330avŒâ¿€?€?€ÿ34340735vŒâ¿€?€?3Bracketed notes from here on added by Otto Gombosi.÷ÿQÿ€ÿ534230vŒâ¿€?€?€ÿ3022vŒâ¿€?€?€ÿ230avŒâ¿€?€?€ÿ230534–žÚ¿€?€?€ÿ30220–žÚ¿€?€?€ÿ020€3022–žÚ¿€?€?€?€ÿ€02302–žÚ¿€?€?€ÿ0230735–žÚ¿€?€?€ÿ534230–žÚ¿€?€?€ÿ3022–žÚ¿€?€?€ÿ23032–žÚ¿€?€?€?€ÿ0320–žÚ¿€?€?€?€?€ÿ345013–žÚ¿€?€?€ÿ2203–žÚ¿€?€?€ÿ330amÐä¿€?€?€ÿ330€345mÐä¿€?€?€ÿ34a345mÐä¿€?€?€ÿ013013mÐä¿€?€?€ÿ345amÐä¿€?€?€ÿ345013mÐä¿€?€?€ÿ345amÐä¿€?€?€ÿ12300mÐä¿€?€?€ÿ02302mÐä¿€?€?€ÿ0230€345mÐä¿€?€?€ÿ34a345mÐä¿€?€?€ÿ013013mÐä¿€?€?€ÿ34501Hà¿€?€?€?€ÿ3023Hà¿€?€?€?€?€ÿ220300Hà¿€?€?€ÿ€2032Hà¿€?€?€?€ÿ330aHà¿€?€?€ÿ33002Hà¿€?€?€?€ÿ33a20Hà¿€?€?€?€ÿ3102Hà¿€?€?€?€?€ÿ00a2Hà¿€?€?€?€ÿ004130ŸZØ¿€?€?€?€?€ÿ€2203ŸZØ¿€?€?€ÿ€3022ŸZØ¿€?€?€ÿ€02302ŸZØ¿€?€?€ÿ023002ŸZØ¿€?€?€?€ÿ33a20ŸZØ¿€?€?€?€ÿ3102ŸZØ¿€?€?€?€?€ÿ0201ŸZØ¿€?€?€?€?€ÿ3023ŸZØ¿€?€?€?€?€ÿ22040Vzê¿€?€?€?€ÿ2203Vzê¿€?€?€ÿ330aVzê¿€?€?€ÿ33053Vzê¿€?€?€?€ÿ€2^03Vzê¿€?€? ö€ÿ0023N0Vzê¿€?€?€?€?€ÿ230aVzê¿€?€?€ÿ230020Vzê¿€?€?€ÿ230020Vzê¿€?€?€ÿ23020Vzê¿€?€?€?€ÿ0203š|Ù¿€?€?€ÿ02053š|Ù¿€?€?€?€ÿ€2^03š|Ù¿€?€?ñ€ÿ0023N0š|Ù¿€?€?€?€?€ÿ230€30š|Ù¿€?€?€ÿ3203š|Ù¿€?€?€?€?€ÿ00230š|Ù¿€?€?€?€?€ÿ0203š|Ù¿€?€?€ÿ330aš|Ù¿€?€?€ÿ€330345š|Ù¿€?€?›In orig, chords are played by holding one string of the 3rd course down at the 3rd fret while the other is fingered, both played at once by the right hand.!Qÿ€ÿ34a345–žÚ¿€?€?€ÿ35a355–žÚ¿€?€?€ÿ34a345–žÚ¿€?€?€ÿa355–žÚ¿€?€?€ÿ34a3534–žÚ¿€?€?€?€ÿ353420–žÚ¿€?€?€?€?€ÿ€02302–žÚ¿€?€?€ÿ0230345–žÚ¿€?€? See note 1.%Qÿ€ÿ34a345–žÚ¿€?€?€ÿ35a355–žÚ¿€?€?€ÿ34a3534–žÚ¿€?€?€?€ÿ3534206hò¿€?€?€?€?€ÿ2203006hò¿€?€?€ÿ€20326hò¿€?€?€?€ÿ330a6hò¿€?€?€ÿ330€50a6hò¿€?€?€ÿ50a756hò¿€?€?€?€ÿ75796hò¿€?€?€?€?€ÿ:0a6hò¿€?€?€ÿ:0876hò¿€?€?€?€ÿ€50787Hà¿€?€?€?€?€ÿ5875Hà¿€?€?€?€?€ÿ570aHà¿€?€?€ÿ570Hà¿€?€ÿ35375Hà¿€?€?€?€ÿ5320Hà¿€?€?€?€?€ÿ23032Hà¿€?€?€?€ÿ0320Hà¿€?€?€?€?€ÿ345013Hà¿€?€?€ÿ2203‘ÀÛ¿€?€?€ÿ330a‘ÀÛ¿€?€?€ÿ330575‘ÀÛ¿€?€?€ÿ575575‘ÀÛ¿€?€?€ÿ785785‘ÀÛ¿€?€?€ÿ5758‘ÀÛ¿€?€?€ÿ57585‘ÀÛ¿€?€?€?€ÿ785575‘ÀÛ¿€?€?€ÿ857785‘ÀÛ¿€?€?€ÿ55707‘ÀÛ¿€?€?€ÿ5570345‘ÀÛ¿€?€?€ÿ34a345‘ÀÛ¿€?€?DTab breaks off here. What follows is Otto Gombosi's reconstruction.(Qÿ€ÿ01301xû!À€?€?€ÿ34501xû!À€?€?€?€ÿ3023xû!À€?€?€?€?€ÿ220330xû!À€?€?€ÿ2032xû!À€?€?€?€ÿ330axû!À€?€?€€ÿ330xû!À¸:”?C>950«©¦@