Correction Acknowledgments

I would like to acknowledge the following people who have made valuable corrections and other contributions to this website:

·        , for pointing out that “O Mistress Mine” is not originally by Byrd or Morley, but anonymous and arranged by each of them.

·         , for noticing that I put Händel Trio Sonata in F under “Bach” as well as Händel.

·        , for correcting a wrong link to Mudarra's "Claros y frescos rios" (two PDF files).

·  , for identifying "O du fröliche" variations as such.

·        , for a correction to Holborne's "Fairy Round" Galliard.

         , for corrections to the date in my edition of Judenkoenig's 1523 publication

        and for corrections to some Robert Johnson files.

·         , for corrections to Zamboni Sonata IX.

·         , for his correction on Hewet’s Fantasy from “Varietie of Lute Lessons”.

·         , for translating Milan’s notes to pieces in El Maestro and for a correction to Robert Ballard's Branle de Village #4.

·         , for contributing a diagram of scordatura tuning in Dalza..

·         , for corrections to Narvaez's version of Milles Regretz in Los Seys Libro del Delphin (1538), to Besard's song, "Quelle divinité s'imprime"  from Thesaurus Harmonicus, v.4, and to Bonny Sweete Boy from Cambridge University Library Dd.2.11(B).

·         , for a correction to a Dalza piva.

·         , for help on Fuenllana notations and for translating some key passages in Orphenica Lyra.

·        , for correcting errors in Dowland's "Farewell, unkind, farewell" and "Love stood amazed".

·         , for a correction to Dowland “If my complaints” 

·         , for pointing out a duplicated piece in Vincenzo Galilei's “Contrapunti. ”

·         , for correcting errors in the Dowland solo, 05 a fancy.

·         , for a correction to Book 1, #1, Pleni, from Missa Hercules of Josquin 

        and a correction to Milan "El Maestro", Fantasia 14.

·        , for various entabulations he has done. over the years.

·        , for corrections to Narvaez' Y la mi cinta dorado.

·        , for corrections to Saltarello 48 of da Crema.

·         , for filling in many missing Dowland solo pieces.

·         , for corrections to Dowland’s La mia Barbara.

·         , for helping with Fuenllana notations and corrections to Fuenllana's 2-part version of Josquin's "Fecit Potentiam" in Book 1 of Orphenica Lyra.

·         for correction of a mislabeling of Dowland solo #38: “Viscount Lisle’s Galliard” as

#37: “Lord Chamberlain’s Galliard”.  Also for corrections to Dowland’s “Come heavy sleep” and “La mia Barbara”.

·       , for invaluable information on terminilogy and naming conventions (any errors, though, are my responsibility).

·       François Pizette, for a correction to dall'Aquila's Ricercare 33 and to Piccinini's #25 "Aria di Sarabanda".

·         , for corrections to Campion’s “The man of life upright”, and John Danyel's      "Rosamund".

·         , for pointing out that "La Alfonsina" was composed by Johannes Ghiselin, not Hayne von Ghizehem.

·         ,  for corrections to Dowland's "Awake Sweet Love" and "Away with those self-loving lads".

·         , for a correction and addition to Capirola’s Ricercar 1.

·        , for corrections to a pavan by Ferrabosco.

·       , for corrections to Dalza's Pavana alla Venetiana 1.

·         , for corrections to Dowland “If my complaints” and “Rest awhile, you cruel cares”.  Also for contributing "Miserere, my Maker".

·         , for corrections to my edition of Bakfark’s “Ultimi mei sospiri”, in Bakfark’s 1552 “Intabulatura”.

     ·         , for corrections to Praeludium 1 from Matthäus Waissel's 1573 volume.