Correction Acknowledgments

I would like to acknowledge the following people who have made valuable corrections and other contributions to this website:

·        , for pointing out that “O Mistress Mine” is not originally by Byrd or Morley, but anonymous and arranged by each of them.

·         , for noticing that I put Händel Trio Sonata in F under “Bach” as well as Händel.

·        , for correcting a wrong link to Mudarra's "Claros y frescos rios" (two PDF files).

·  , for identifying "O du fröliche" variations as such.

·        , for a correction to Holborne's "Fairy Round" Galliard.

         , for corrections to the date in my edition of Judenkoenig's 1523 publication

        and for corrections to some Robert Johnson files.

·         , for corrections to Zamboni Sonata IX.

·         , for his correction on Hewet’s Fantasy from “Varietie of Lute Lessons”.

·         , for translating Milan’s notes to pieces in El Maestro.

·         , for corrections to Narvaez's version of Milles Regretz in Los Seys Libro del Delphin (1538) and to Besard's song, "Quelle divinité s'imprime"  from Thesaurus Harmonicus, v.4.

·         , for a correction to a Dalza piva.

·         , for help on Fuenllana notations and for translating some key passages in Orphenica Lyra.

·        , for correcting errors in Dowland's "Farewell, unkind, farewell" and "Love stood amazed".

·         , for a correction to Dowland “If my complaints” 

·         , for correcting errors in the Dowland solo, 05 a fancy.

·         , for a correction to Book 1, #1, Pleni, from Missa Hercules of Josquin 

        and a correction to Milan "El Maestro", Fantasia 14.

·        , for various entabulations he has done. over the years.

·        , for a correction to Narvaez' Y la mi cinta dorado.

·        , for corrections to Saltarello 48 of da Crema.

·         , for filling in many missing Dowland solo pieces.

·         , for corrections to Dowland’s La mia Barbara.

·         , for helping with Fuenllana notations and corrections to Fuenllana's 2-part version of Josquin's "Fecit Potentiam" in Book 1 of Orphenica Lyra.

·         for correction of a mislabeling of Dowland solo #38: “Viscount Lisle’s Galliard” as

#37: “Lord Chamberlain’s Galliard”.  Also for corrections to Dowland’s “Come heavy sleep” and “La mia Barbara”.

·       François Pizette, for a correction to dall'Aquila's Ricercare 33 and to Piccinini's #25 "Aria di Sarabanda".

·         , for corrections to Campion’s “The man of life upright”, and John Danyel's      "Rosamund".

·         George Simmonds, for pointing out that "La Alfonsina" was composed by Johannes Ghiselin, not Hayne von Ghizehem.

·         , for a correction and addition to Capirola’s Ricercar 1.

·        , for corrections to a pavan by Ferrabosco.

·         , for corrections to Dowland “If my complaints” and “Rest awhile, you cruel cares”.  Also for contributing "Miserere, my Maker".

·         , for corrections to my edition of Bakfark’s “Ultimi mei sospiri”, in Bakfark’s 1552 “Intabulatura”.